Watched Oct 03 , From the very first shot of an Arizonian neighbourhood, whereupon a SWAT team enters the frame approaching a house as the camera pans along with them, cinematographer Roger Deakins proves once again that he is the best director of photography working today. Each shot puts the audience in the same atmosphere as the characters to great effect. If the scene is dark, such as a cop being held at gunpoint, the shots are dim, with only available light, in deep contrast to modern filmmaking where everything is properly lit no matter what the circumstances are. Director Denis Villeneuve knows what to show and more importantly, what not to show.
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